$29.99
Vision Print Film Emulation LUTs
Real film-inspired color. Cleaner tones, softer highlights, and depth that feels cinematic without looking overdone and will get you 90% of the way to your final grade.
These LUTs are built for Davinci Resolve and designed to work inside a proper Wide Gamut workflow - so your footage stays natural, consistent, and easy to grade.
Why these work
- Natural skin tones. No weird color shifts.
- Smooth highlight roll-off. No crunchy whites.
- Consistent across cameras. Reliable results every time.
- Film-like depth. Rich blacks and subtle contrast.
How to use
These LUTs are designed specifically for a DaVinci Wide Gamut / DaVinci Intermediate (DWG) workflow. They are not Rec.709 LUTs and should not be applied directly to log footage without proper color space transforms.
Built for maximum flexibility and highlight rolloff, this system keeps your grading clean, consistent, and technically correct.
Project Setup (Required)
In Project Settings → Color Management:
- Color Science: DaVinci YRGB Color Managed
- Timeline Color Space: DaVinci Wide Gamut / DaVinci Intermediate
- Output Color Space: Rec.709 Gamma 2.4/2.2 (or your preferred delivery space)
Your timeline must be set to DWG for these LUTs to behave correctly.
Proper Node Order
Use this structure on your clips:
- Input CST
- Primary Balance
- Creative Adjustments (optional)
- DWG LUT
- Output CST (only if not using color management)
Input CST Settings (First Node)
If shooting log (Sony S-Log3, BMD Film, C-Log, etc.):
- Input Color Space: Your camera’s native color space
- Input Gamma: Your camera’s log profile
- Output Color Space: DaVinci Wide Gamut
- Output Gamma: DaVinci Intermediate
This converts your footage into DWG before the LUT is applied.
If your footage is already Rec.709, an input CST is not required.
Applying the LUT
Apply the LUT after balancing exposure and white balance, but before any output transform.
These LUTs expect DWG input.
Applying them before a CST or after an output transform will produce incorrect results.
Output CST
If your project is not color managed, add a final CST:
- Input Color Space: DaVinci Wide Gamut
- Input Gamma: DaVinci Intermediate
- Output Color Space: Rec.709
- Output Gamma: Gamma 2.4
Perfect for
Narrative films, travel videos, weddings, brand work - anything that needs clean, cinematic color without fighting your grade.
What’s included
- 7 Film Emulation LUTs (.cube)
- Made for DaVinci Resolve 17+
Enjoy all the filmic sauce these bring to your vision.
