Vision Color Print Film Emulation LUTs

Film print–inspired looks crafted from footage captured around the globe. Cleaner hues, smoother highlight roll-off, and consistent results across all cameras.

Most “film” LUTs are made for Rec.709 and hope for the best. These aren’t. They’re tuned natively to DaVinci Wide Gamut / DaVinci Intermediate, so your color lives in the right space from the start — and your Output Transform behaves.

Why these stand out

• Native to DWG. No janky conversions. Each LUT is tuned for Wide Gamut/Intermediate so it plays nice with your ODT and preserves hue separation.
• Skin-tone sane. Gentle contrast shaping and restrained hue bias so faces stay human — not pumpkin.
• Cross-camera consistent. Designed and tested on mixed footage inside a DWG workflow for repeatable results.
• Film-like density, modern control. Subtle shoulder, honest blacks, and color depth that lets you grade further without falling apart.

How to use (DWG pipeline)

Perfect for

Cinematic narrative, travel, weddings, brand films - any project where you want true filmic density and honest color that still feels modern. 

Specs & compatibility

• 7 × .cube LUTs optimized for DaVinci Wide Gamut / DaVinci Intermediate
• Works in DaVinci Resolve 17+ (tested in 18–19)
• Plays nicely with DWG or ACES pipelines
• Install: Preferences → Color Management → Open LUT Folder → drop in → Update Lists

Good to know